Updated on Jun 18, 2013


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Roger D Arndt

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WHICH WAY?
RA493
oil, prepared panel
20 x 27 in.  
$ 5200 CDN
TALL TREES
RA492
oil, prepared panel
34 x 12 in.  
$ 3950 CDN
MOONLIT VISTA
RA490
oil, prepared panel
24 x 30 in.  
$ 7200 CDN
FLURRIES HAVE PASSED
RA489
oil, panel
16 x 20 in.  
$ 3000 CDN
A DAY REMEMBERED
RA487
oil, prepared panel
24 x 49 in.  
$ 9800 CDN
WINTER FINERY
RA486
oil, prepared panel
24 x 16 in.  
$ 3200 CDN
ENCOUNTER AT THE FALLS
RA485
oil, prepared panel
25.5 x 20.5 in.  
$ 5200 CDN
THE EVENING MIST
RA484
oil, prepared panel
36 x 12 in.  
$ 4200 CDN
FILTERED LIGHT
RA482
oil, prepared panel
20.5 x 26.5 in.  
$ 5200 CDN
PASSIVE LIGHT
RA480
oil, prepared panel
16 x 12 in.  
$ 1850 CDN
SPRING TIME FLOW
RA478
oil, prepared panel
24 x 12 in.  
$ 2750 CDN
LATE DAY GLOW
RA475
oil, prepared panel
12 x 36 in.  
$ 4200 CDN
BELOW THE TEMPLE
RA466
oil, prepared panel
30 x 12 in.  
$ 3500 CDN
THE SUMMER DAYS OF RUNDLE
RA214
oil, prepared panel
36 x 48 in.  
$ 16500 CDN

Roger D Arndt

Roger D. Arndt has had a remarkable career since he began painting full time at the age of 14. He sold his first oil painting while still a teenager, and within a few years became a self-sustaining artist. His unique style continues to evolve; recent paintings feature bolder colours and scenes from his native Okanagan, in addition to his preferred subjects, the mountains and forests of Western Canada. Today, his work is featured in private and major corporate collections throughout North America, and his following extends as far as Japan.

Using a style that challenges conventional perceptions of landscape art, Roger D. Arndt draws the viewer into a setting characterized by luminous, fluid images that move and change with various intensities of light. A distinguishing quality of an Arndt painting is the ever present, gently flowing mist, whether it depicts an early morning haze, or a deepening sky at twilight.

The mysterious and evocative nature of Roger D. Arndt’s work is achieved through a painstaking technique that originated with 15th century Flemish artists. Using smooth brush strokes and intensive glazing of layer upon layer of colour, he achieves greater depth and range, yet subtlety of colour. As light travels through the colours, they change, creating an atmospheric mood and causing the mist to “move”. “It’s evocative for me and, I hope, for the viewer" says Arndt. "It’s why I like oil as a medium.”

A Roger D. Arndt painting is a timeless work of at that marries the breathtaking subject matter of Canada’s West with fine quality and craftsmanship. Roger is a smooth brush oil painter who utilizes a centuries old Flemish technique that was once practiced by European masters. His attention to detail is paramount from the time he conceptualizes the image and prepares his boards, to the finishing and framing of the completed piece.

The preparation of one of Roger's oil paintings is a laborious one. First, a panel is coated with many layers of oil primer, than hand-sanded to achieve a surface that is as smooth as glass. Roger moves on to create an image in conceptual drawings conceived from his own photos, sketches, memory and imagination. Before starting the formal painting process, Roger prepares a scaled-down, loosely painted oil study to test composition and colour elements.

The striking luminescence that one sees in Roger's work is achieved through a painstaking colour layering technique. Using the finest hand-made sable brushes, Roger applies dozens of thinned-down, transparent layers of colour on top of each other and lets each layer dry before moving onto the next. When the image is completed, the effect is remarkable. The light travels through the layers and reflects off the surface of the white board beneath, creating a gentle, luminescent play of light and colour. The layering technique is time consuming, so Roger often works on a dozen paintings at a time. He is also one of the few contemporary fine artists who paint large format representational works, as large as 48 inches by 72 inches. He typically paints a few large pieces a year, each taking eight months or so to complete.

Roger devotes the same amount of detail and attention to the finishing and framing of his artworks as he does to the painting itself. The completed piece of work is hand-varnished. High quality mouldings and traditional frame materials are then handpicked to compliment the work. To maintain integrity in finishing, all of Roger's work is framed at his own framing studio.


Roger D Arndt



Collections
Air Canada
AMOCO
Bank of Montreal
Coopers & Lybrand
EXXON
Husky Oil
Mitsubishi Japan
Shell Oil
BC Central Credit Union
Crestar Energy Inc
Delta Bow Valley Hotel
Fletcher Challenge Canada Ltd
HongKong Bank of Canada
Hurricane Hydrocarbons Ltd
Imperial Oil Limited
MacMillan Bloedel
Mastel Conroy Associates Limited
Northwest Trust
Stonecreek Properties Inc
Suncor Energy
Texaco Oil
Trizec Corporation
World Records of Canada



Credits
2008 Rocky Mountain Outlook



Exhibitions
2009 Canada House Gallery, Banff, AB
2008 SUNSHINE 80, Canada House Gallery, Banff, AB
2008 Roger D Arndt & Bev Rodin, Canada House Gallery, Banff, AB
2003 Wonder of Water, Canada House Gallery, Banff, AB
2002 Year of the Mountain, Canada House Gallery, Banff, AB
1999 Painter of the Canadian West, Canada House Gallery, Banff, AB


All images copyrighted by the artists.